Transporting Changes Essay Example | Topics and Well Written Essays - 1500 words

Transporting Changes - Essay Example One of the primary ways in which these changes were brought about was through changes in the city’s modes of transport, from the old days of walking, bicycling, trams and els, to the new mode of individual vehicular traffic and high-speed underground trains. In constructing the necessary amenities for these sorts of changes, it was necessary to break some of the old ways of doing things, either through the destruction of previously apportioned space or through novel approaches to cutting through traffic. Before one can understand how current conceptions of New York were shaped by these changing forms of transport, it is necessary to understand what is meant by the concept of place and then to observe how this concept shifted and changed with each new introduction to the city’s landscape. In his article â€Å"Defining Places† (2004), Tim Cresswell presents a general examination of how the term ‘place’ might be defined in a variety of different context s. Foremost among these is the idea that the term ‘place’ doesn’t simply refer to a specific location but is instead used to refer to a variety of ideas and concepts that are tied up in our conception of place.

William Shakespeare's Sonnet 116 Let me not to the marriage of true Essay

William Shakespeare's Sonnet 116 Let me not to the marriage of true minds - Essay Example He talked about true love only, the words True Mind in his sonnet represents that he is talking about truth, not about the physical elements of love. He says that any love which alters with time is not a true love. Symbolism can be done through color and objects in the poems. Sonnet 116 is a famous work of Shakespeare. It was published in 1609. This is not different than other traditional work of Shakespeare. He writes a lot about love, even in this sonnet he challenged people that if love is nothing then it means a human being is never loved in any form. He is a great supporter of love and peace. He talks about the existence of true love. According to him true love is not the one which changes its shape with time, it can alter it frequencies only but not its essence. The sonnet 116 is not an emotional work but it is a careful one. The emotions are controlled, the sonnet is not emotional but the tone is quite mature and careful. According to philosophers, sonnet 116 has universal sig nificance because it is an intelligent work. Shakespeare used imagery, metaphor elements, personification and essence in his sonnets. His work is antithesis, he writes freely. It takes a lot consideration and deep attention to understand his work. The words are expressed openly and sometimes seem meaningless unless an effort is not put to understand them. The order of writing is scattered. In most of the Sonnets Shakespeare talked about some lady, sometimes by making imagery of dark eyes and sometimes by making imagery of rosy lips as he did in Sonnet 116. According to the imagery point of view, the language is not very clear or appreciable. The metaphoric elements are very vague. He presented love as a guideline to life, but the metaphors are very complicated. Nor no man and wandering bark are the examples of vague symbolism. The time attack is very prominent in the sonnet 116. The poet wrote that â€Å"love alters not with his brief hours and week† and he wrote â€Å"Love' s not Time's Fool†. This means that he is talking about past, present and future, he is taking love as guideline of life which is there in heart in all time periods. The poet does not give any importance of physical appearance and beauty; according to him love is much more than that. He wrote love is not a foolish act of time whereas rosy lips are temporary. Every-fixed marked is referred to the sea light in the sea for the help of the sea ships. The poet is symbolizing the love with a star that’s worth unknown because star’s distance cannot be measured and so thus the size of the star. Edge of doom refers to the doomsdays and poet tries to say that everyone has to die but do not die without love. Must enjoy the merrily situation of love and true marriage. The symbolism elusiveness is very much in attendance in the very first language. He might have talked about the hindrances/impediments firstly and then about the marriage. The poet is symbolizing that the marri age of true mind lacks when there is no love present between two hearts. Sex element is no doubt strong in the writing but it is a division of love, it is temporary or momentary. According to the poet, any marriage which takes place when there are true spirits involved in the one which lasts forever. No time and trouble can challenge the strongest of the bond of marriage. The poet described both the conditions when love exists and when love does not exist. According to him, a successful love does not forget its true direction even in stormy weather and lost ways, he used imagery of wandering barks which are lost ships. He described that love is such a strong feeling that any toughness does not let it go whereas in the very next lines he

The Disturbing World of The Psychopaths Essay Example for Free

The Disturbing World of The Psychopaths Essay Nowadays the number of adults and adolescents who perpetrate violence and consider violence as normal in everyday life is swiftly gowning and it is terrible because values and beliefs about morality are distorted. The actions of adolescents seem meaningless and professionals often can’t understand and explain their motivation. Therefore, the book â€Å"Without Conscience: The Disturbing World of The Psychopaths Among Us† by Robert Hare is a well-developed work on psychopathic personality. The author analyzes the reasons and consequences of psychopathic behavior stressing that it is the most dangerous personality disorder as such people when affected don’t distinguish what is right and what is wrong. Their actions aren’t motivated by consciousness. Instead, their actions are driven by psychological disorders. Actually, the book is vivid and colorful portrayal of psychopathic disorder and the book can recommended both for professionals and for parents. The book presents author’s research on psychopathic disorders. The positive moment is that the book is written in easy language and in readable fashion devoted to general audience.   Hare analyzes clinical literature in non-technical trying to avoid professional jargon. The author combines empirical literature with personal anecdotes, with descriptions of psychopathic personalities from popular press and literature. Moreover, the author includes analysis of celebrated cases as, for example, Ted Bundy, Clifford Olson and the fictional Hannibal Lecter. Robert Hare provides deep insight into personality of psychopaths by describing disorder in dozens of individuals with similar diagnosis, all of whom â€Å"scored high on the PCL†. The author claims that he rejects psychodynamic approaches when describing psychopathic mind. Hare describes psychopathic personality as reckless, impulsive, egocentric, disturbing, content with self and such that lacks conscience. Hare pays special attention to identification of the psychopaths. His Psychopathy Checklist presents ultimate understanding of psychopathic behavior. Actually, he uses his list to construct psychopathy as disorder. The author provides definitions, assessment tools and diagnosis approaches. Hare argues that â€Å"Psychopaths are social predators who charm, manipulate, and ruthlessly plow their way through life, leaving a broad trail of broken hearts, shattered expectations, and empty wallets. Completely lacking in conscience and in feelings for others, they selfishly take what they want and do as they please†¦Ã¢â‚¬  (p.34) Psychopathy is associated with antisocial personality disorder. The author writes that not all patients with antisocial personality disorder are psychopathic personalities and they should not be provided with the same pessimistic diagnosis. Hare assumes that professionals are to be blamed for confusing psychopathic disorder with antisocial personality disorde r. The book conveys a number of important messages based on Hare’s fundamental perspective about psychopathic personalities and their behavioral types. The author portrays psychopathic personalities as personalities that seem to be born. Hare presents many stories about individuals who appeared to be normal, but with years became egocentric and aggressive personalities. The author is unprejudiced when he says that we are not aware of facts that change human behavior. A number of genetic and neurological studies were conducted to reveal the reasons and Hare says that environment plays crucial role in child upbringing. He concludes that psychopathy may be of different types ranging from con man to serial killer. Three particular messages are hidden in the book. The first one is that the parents of psychopaths should not be provided with constant sense of guilty that their children are not normal. Instead, parents should immediately consult professionals to diagnose their children and if psychopathic disorder is revealed then to develop specific strategies involving structured and favorable environment with behavioral management techniques. The second message is that psychopathic behavior is not likely to change significantly or it may diminish with age.   The most difficult thing to manage is that psychopaths are content with their behavior and often treatment efforts and therapies are not effective. Psychopaths believe their relations with people and treating them is fully justified and normal. Actually, psychopaths don’t understand they have serious mental problems and they are viewed as social danger. Hare seems to be very critical with insight-based approaches as, for example, with therapeutic community. Instead, Hare says that work with psychopaths should focus on incorporating their pervasive self interest stressing that their behavior contradicts their own interests. The third message provides recommendations and ways how to protect yourself from attack of psychopathic personalities. Every person should now ways to identify psychopaths and to protect his life from being victimized and conned. A series of techniques designed by Hare is important for adults, especially for women and the elderly. Lonely people and those who are going to invest are endangered the most. Being forewarned is being forearmed. Hare says that â€Å"Psychopaths are found in every segment of society, and there is a good chance that eventually you will have a painful or humiliating encounter with one†. (p.203) Hare intensifies his narration with real-world examples and anecdotes to describe differen t personality features of psychopathic personalities. The book is very informative and professional, but it seems contradictory when the author says he relies on common sense and folk wisdom. Further, the author stresses that relying on such sources isn’t justified in professional environment. Despite several weak points, the book is very strong and persuasive. The author distinguishes between psychopathic disorder and antisocial personality disorder. He concludes that not all psychopaths are criminals and not all criminals are psychopaths. The author offers emotional and interpersonal traits as, for example, lack of guilt, grandiosity, glibness, shallow emotions, lack of responsibility, impulsiveness, antisocial behavior, etc. References Hare, Robert. (1999). Without Conscience: The Disturbing World of The Psychopaths Among Us. USA: The Guilford Press.

The Feminine Roles In Dracula English Literature Essay

The Feminine Roles In Dracula English Literature Essay Bram Stokers novel, Dracula was written during the late nineteenth century and is commonly classified as a horror novel. Further analysis however, has brought to light the buried symbols and themes of sexuality that the novel holds within it. Due to its female sexual symbolism, the novel draws the attention of mostly men, as exploring these female forbidden themes were more of a fantasy for them than reality. As Dracula was set in the Victorian culture, it is shown to encompass all the beliefs and prejudices of the society, especially in regards to the social gender roles of men and women. Women were known to be suppressed and put down socially while men were lifted up and known for the authority and freedom they possessed. Through the two main female characters of his novel, Mina and Lucy, Stoker presents both the ideal Victorian model of what a woman should be, and the opposite of this model illustrating what a woman should not be; for the second becomes a threat to patriarchal Vic torian society and will ends up in ruin. Mina and Lucy are very significant to the novel as they are the only female characters, and narrators, who are depicted in a large amount of detail by Stoker. He juxtaposes Mina and Lucy throughout his novel to describe and contrast the two different categories of women that he believed existed in the Victorian era: the ideal, innocent, submissive women and the dangerous, rebellious women who wish to take risks and break free from the confining features of society. Although they hold different views on which of the two categories a woman should take her place in, they both acknowledge the conventional belief that men are more dominant in Victorian society than women: My dear Mina, why are men so noble when we women are so little worthy of them? (Stoker 96). Stoker uses Mina to illustrate his version of what an exemplary Victorian woman is like. Van Helsing describes Mina in the novel as one of Gods women, fashioned by His own hand to show us men and other women that there is a heaven where we can enter, and that its light can be here on earth. So true, so sweet, so noble, so little an egoistà ¢Ã¢â€š ¬Ã‚ ¦ (Stoker 306). Mina is an intelligent, educated woman who uses her attained skills solely to better her husband, Jonathan Harker. Stoker uses Minas speech in the novel to emphasize her dedication to her husband: I have been working very hard lately, because I want to keep up with Jonathans studies, and I have been practicing shorthand very assiduously (Stoker 86). Although she works fulltime, she tirelessly takes on other commitments such as perfecting her shorthand so that she would be useful to Jonathan (Stoker 86). She is also seen thinking very highly of men in general and their independence from women: a brave mans hand can speak for itself; it does not even need a womans love to hear its music (Stoker 386). Lucy on the other hand, falls into Stokers second category of Victorian women. She is not seen committed physically and emotionally to one man alone throughout the novel. She is described as a voluptuous, beautiful woman who is approached with three proposals from three different suitors. Lucy complains to Mina asking her: Why cant they let a girl marry three men, or as many as want her, and save all this trouble? (Stoker 96). Although she would do this if she were allowed to, she recognizes that she has uttered words of heresy after saying them. This shows that although such a thought is seen as utterly promiscuous, immoral, and forbidden in the Victorian culture, it does not stop her from mentally crossing the boundaries set up by the social conventions of the society. Lucy is portrayed as someone who is driven by her sexual openness and flirtatious, tempting nature. Her physical beauty holds the interest of all her suitors and she enjoys the attention she would not get otherwise from the men of her society. This, in a way, helps Lucy to equalize herself to the same male gender that is claimed to be superior to females. Conversely, Mina is shown to be content with her monogamous status in society and does not feel the need to use her feminine sensuality to prove anything. In fact, Minas sexual desires, if any, remain unknown throughout the novel. By presenting Mina in this way, Stoker provides a stark contrast between the sexuality of Lucy and Mina. Minas perspective on the subject is left untold to illustrate that it shouldnt be a womans concern to think about such things, and that all a Victorian womans role entails is succumbing to a mans sexual needs and desires. Lucys character does not agree with this. Because she cannot live out her sexual appetites in the public sphere, she does it in the private through sleepwalking. In the state of sleepwalking, she can unconsciously and quite freely express her thoughts and longings. It is in this state that she is first bitten by Count Dracula. As this sequence occurs more often, she is made into a vampire and openly expresses her suppressed sexual desires. This defiles her purity and makes her a voluptuous wantonness (Stoker 342). Lucy as a vampire represents all of her built up, yet restrained sexual urges and passions. Her ravenous, insatiable sexual hunger becomes increasingly more obvious all the way through to the killing of her life as a vampire. Because Mina is not full of sexual neediness like Lucy, she has a lot less to restrain. She rather, uses her energy on being a maternal figure to those who need it. She feels the need to use her natural maternal instincts to better the men around her. She allows Arthur and Quincey to cry on her shoulder not long after encountering them in the novel just so that they would feel the comfort of a mother: He stood up and then sat down again, and the tears rained down his cheeks. I felt an infinite pity for him, and opened my arms unthinkingly. With a sob he laid his head on my shoulder, and cried like a wearied child, whilst he shook with emotion. We women have something of the mother in us that makes us rise above smaller matters when the mother-spirit is invoked; I felt this big, sorrowing mans head resting on me, as though it were that of the baby that some day may lie on my bosom, and I stroked his hair as though he were my own child (Stoker 372-373). Lucy, on the other hand, is shown as someone who does not take interest in the maternal qualities of women and mistreats little children in the novel. With a careless motion, she flung to the ground, callous as a devil, the child that up to now she had clutched,  strenuously to her breast, growling over it as a dog growls over a bone. The child gave a sharp cry, and  lay there moaning (Stoker 343). This shows that her craving is more important to her than the maternal quality of caring for a child; she would rather feed on the child than feed the child itself. Although both Mina and Lucy are attacked by the Count, the reasons for the attack differ for both characters. When Count Dracula threatens Jonathan during his attempt to attack Mina, Mina does what the Victorian culture would expect in a situation like this and puts her husbands life and safety before hers. Through the final attack on innocent Mina, Stoker illustrates the raw desire of men exploiting innocent women and testing their submissiveness. He also shows through this incident his belief of how weak and vulnerable women are. Conveniently, the first thing Mina does is succumb to the strange mans behaviour: I was bewildered, and strangely enough, I did not want to hinder him (Stoker 466). However, as soon as she realizes her purity is being defiled, she becomes revolted by the unclean event that has occurred and cries out Unclean! Unclean! (Stoker 461). Unable to change what has happened to her, she uses the incident to help the men who are in pursuit of Count Dracula. Lucy on t he other hand, is attacked and killed for another reason. Men want to see her destroyed because they see her beauty and sexual openness as a threat to Victorian society. Stoker uses Lucy to illustrate that sexually aggressive women who use their beauty to gain a certain power over men will not last in the Victorian culture. Instead of being physically ruined, they will be socially demeaned and out-casted. This social punishment is depicted through the staking and killing of Lucy by her own husband, Arthur. He is used in the passage to bring her back under Victorian social order and purity: There, in the coffin lay no longer the foul Thing that we had so dreaded and grown to hate that the work of her destruction was yielded as a privilege to the one best entitled to it, but Lucy as we had seen her in life, with her face of unequalled sweetness and purity (Stoker 351). This destruction of Lucy restores the confidence of the male audience of this novel as they are given back their plac e of superiority and are left knowing that they could continue to repress any liberating power women try to attain. Minas life is spared in the novel for her socially correct behaviour throughout the story. She uses her intelligence, her organization skills, and her resourcefulness to service the men and help them track down Count Dracula. Van Helsing describes her intellect as a trained like a mans brain, proving the belief that intellect is not something women naturally possess (Stoker 551). Mina is also always seen putting men above herself, even if it means giving up her own life: without a moments delay, drive a stake through me and cut off my head, or do whatever else may be wanting to give me rest!(Stoker 537). She asks her husband to take the responsibility of killing her before she becomes a danger to mens lives. To conclude, Stoker uses Mina and Lucy to confirm his sexist Victorian beliefs about the roles of men and women in society. The social construct of the time involved women being inferior to men in all areas of life, with the exception of child bearing and child upbringing. Their value was only seen in their maternal qualities and their submissiveness to men. Through Minas character, Stoker exhibits the ideal, virtuous, Victorian woman and shows, through her survival, what the benefits of following this model are. He also goes to show what happens to women when they feel that they should be seen as equals to men. Women who attempt to use their sexuality to attain power and break free from the patriarchal boundaries of Victorian society will end up ruined, just like Lucy.

Indian Culture And How It Translates to America Essay -- Culture

India is a captivating country full of humble traditions, lively festivals, and honest beliefs. With over 2 billion people, India has a vast array of religions and languages with Hindi being the most popular. The Hindu culture is a culture of love, respect, honoring others and humbling one's own ego so that the inner nature, which is naturally pure and modest, will shine forth (Mailerindia Infotek Limited). Hindi is a kind and peaceful religion. It is only fitting to combine a temperate religion with a humble society of people. Indians were raised to treat their elders with respect and to always be humble to guests. Strangers will great you with the utmost benevolence and friends will invite you into their home and make sure you are treated like royalty. However, once families have decided to immigrate to America, these traditions and customs can become endangered. People of all different religions and races find that America is the best place to immigrate to so they can earn a better education and more money for their hard work. Indians are among the most educated and wealthiest subgroups in America so most don’t have a hard time finding jobs and earning good pay. In a study of the impact of emigration from India, Mihir Desai of Harvard University found that 1 million Indians lived in the United States in 2001 (Gerdes 14). Since 2001, there have been reports that this number has more than doubled though still the majority of all Indians practice Hinduism. Hinduism is the practice of worshipers who continuously strive to be liberated from evil spirits while practicing the worship of deities. Hinduism refers to a vast array of religious movements. Unlike religions â€Å"of the book,† there is no single authoritative text and no re... ... Immigrant Soul.† Writing On The River, Ed. Jessica Portz. Second Edition Boston: McGraw-Hill, 2009. 112. The quote that I chose from this story helped me to prove that all morals and beliefs are endangered when you move into a different environment that you aren’t use to. Rishi. â€Å"The Meaning Of Culture.† Mailerindia.com. Mailerindia Infotek Limited. MAILERINDIA.COM. , n.d., 2 April 2012. . This website gave me a really good quote to use in my essay pertaining to the genuine nature of the Hindi culture. Williams, Amy and DePaul, Amy. â€Å"The Rise Of Arranged Marriage In America.† AlterNet. n.p. 9 August 2008. Web. 3 April 2012. â€Å"The Rise Of Arranged Marriage In America† was an interesting article in which I obtained valid points on how arranged marriages can be beneficial within specific cultures.

CJD Disease :: essays research papers

CJD Disease   Ã‚  Ã‚  Ã‚  Ã‚  The Creutzfeld-Jakob Disease is a rare brain disorder that is fatal. Reseachers find about one case of CJD disease per million each year.CJD can effect anyone, this disease effects both males and females of different ethnic groups usually between the ages of 50-75 .This disease causes progressive dementia and neuromuscular problems. Researchers still don’t know for sure what agent causes the Creutzfeld-Jakob Disease, it is a topic that has been debated about. It was first thought to be a virus but a virus contains nucleic acid and when researchers looked at the CJD agent, they found it contained no nucleic acid. Also the chemicals that are supposed to make most viruses inactive did nothing to decrease the inefficiency of the CJD disease. There is a new theory thought that seems to make more sense. The theory that the CJD disease is not a virus but an uncoventional agent made of protein. This pathogen called a â€Å"prion â€Å" are thought to transform other protein molecules into deadly ones by changing the shape of the healthy molecules to the dangerous conformation. Prions are what link CJD disease and BSE disease. Bovine spongiform encephalopathy, also know as â€Å"mad cow disease,† is believe to be caused by prions, which is believed to cause CJD disease in humans.   Ã‚  Ã‚  Ã‚  Ã‚  Creutzfeldt-jakob disease can acquired in three ways. First, The disease can occur sporadically, this is when there is no evidence of the disease in the person’s family. Most CJD cases occur sporadically, so it’s hard to find the orgins. Second, the disease can be caused by inheritance. This is when someone shows a mutation in the gene coding for a prion protein that was passed to them by genetics. The third way of aquiring this disease is through infection. Researchers are not sure if this is a true way to get the disease but some doctors have gotten the disease after being expose to the infectious material inside someone who had the disease.   Ã‚  Ã‚  Ã‚  Ã‚  There are many symptoms of Creutzfeldt-Jakob Disease as it goes on. The average time between symptoms and inevitable death is usually around one year. One symptom of the disease is a bad case of insomnia. Other symptoms include depression, confusion, personality and behavioral changes, strange physical sensations, and problems with memory, coordination and sight. As it goes on, the person develops dementia in most cases and develops irregular jerking movements.

How does Edger Allan Poe Use Language to Create a Sense of Drama Intention Essay

â€Å"The Tell Tail Heart,† by Edger Allan Poe, is a novel in which tension and expectation play essential roles to the reader’s experience. The audience, generally well educated widely read adults, would appreciate this novel as a recollection of a clearly insane man. In order to â€Å"tell you the whole story†Ã¢â‚¬Ëœ Poe has written somewhat of an early psychological thriller, creating a mental portrait of a mad protagonist, who details the killing of an old man, and later hears his victims ‘relentless heartbeat.’ The opening sets up a contrast of sanity versus insanity, creating a psychological chaos that enraptures the reader. Drama intention is portrayed through a variety of ways, all working cohesively with one another to create an over all sense of embossed insanity and powerful emotion. The way in which the opening is written gives the reader an immediate clue to the mental state of the protagonist. The very first line; â€Å"True! – nervous – very dreadfully nervous I had been and am; but why will you say that I am mad?† uses all three tenses within one shortened period. This reflects the narrator’s excitement, suggesting that his mind is jittery, jumping about with different thoughts and ideas. An elevated use of punctuation reinforces this effect, as it means the text does not flow, creating sentence fragmentation, allowing the reader to comprehend the elevated mental state of the protagonist. It is not yet made clear to the reader as to why the narrator is excited in this manner, he appears to be worked up about something, causing the reader to grow curious and excited themselves about the prospect of finding out what is causing his fuss. Poe has used the tactic of withholding information strongly within the first paragraph, causing the monologue to become somewhat of a gradual revelation. This allows Poe to hold the reader in suspense, consequentially creating a heightened level of dramatic tension. Written in a first person narrative, it is made very clear that the monologue is of the form of a speech to the reader. This effect is achieved by the extensive use of punctuation and colloquial terminology. As it is a monologue, there is a suggestion or effect that he is confessing his thoughts to the reader. This means that the piece is almost as if we can see into the mind of the protagonist. Allowing the reader to see a unique view of the thoughts and feelings of another. The form of the text is not over zealous or important, however the contrast of the content and the form is very clear. The piece is written in standard, respectable paragraphed prose, contrasting the disturbing and gruesome content of the novel. The language employed, and the literary devices it is used within, is the primary way in which Poe has succeeded in creating this suspenseful piece. Punctuation is used to great effect, embellishing the sentences to create the narrative confession of the protagonist. Extensive use of exclamation marks, hyphens, and semi colons are all relied upon to create sentence fragments and colloquial, broken text. The reader is given an immediate sense of excitement and instability; in â€Å"True! – nervous- very very dreadfully nervous.† This suggests that the protagonist is jumpy and in a chaotic mental state. As an opening this proves to be attention gauging, as the reader is unaware of the motive for excitement. This is extended throughout by a heightened use of fragmentation through hyphens. The line, â€Å"Sharpened my senses – not destroyed – not dulled them† reiterates the form of a monologue, reinforcing the idea of speech to the reader, using the sentence fragment as a chance to find some self affirmation. Therefore the reader is allowed to see the within the mind of the criminal, giving them a unique insight to the way he thinks – allowing greater involvement and understanding from the reader. This is an unlikely experience as the protagonist shows signs of mental instability and therefore would create a very interesting subject for the reader to asses from a psychological point of view. An extensive vocabulary and heightened lexis is employed throughout the piece, suggesting that the piece is aimed at the well educated adult. The majority of the novel is comprised of Standard English, with a small number of colloquialisms spread throughout, allowing the protagonist to appear both educated and well-spoken. This creates an interesting contrast to his actions, as it is not the norm to have well educated, (supposedly well judged and reasoned) people committing a very irrational act such as murder. The monologue is written in the form of a conventional novel, but primarily in the form of a narrative first person. Hints of confession to the audience are found, intertwined with the use of direct address, with colloquial terms such as â€Å"Ha!† and the use of rhetorical questions, for example â€Å"why will you say that I am mad?† Poe has used these devices to thoroughly involve the audience within the piece. The result of this is that the reader is manipulated to feel like part of the story and therefore feel the tension created at a greater effect. Poe has employed various forms of imagery within the piece. He describes that the â€Å"hinges creaked† on the old wooden door. This is a little clichà ¯Ã‚ ¿Ã‚ ½d however acts very successfully in creating a picture within the mind of the reader. This is done by almost sub-consciously relating back to children’s stories, where an old creaking door would make the entrance to a spooky castle in which an evil witch lived. This very definite image of the eerie or spooky, reinforces that the novel is somewhat of a refined horror. Creaking doors are often used to create a dramatic atmosphere, and Poe has clearly played on this link and used it to his advantage to create a scary situation for the reader. Animal imagery, coupled with an extended metaphor is also used to great effect. It is suggested that the old man that is to be killed is in possession of an â€Å"evil eye.† This eye becomes the protagonist’s excuse for killing the man, and so it is capitalised upon as a reason. This develops into an extended metaphor when it is referred to as a â€Å"vulture eye† and later, it is suggested that his eye â€Å"resembled that of a vulture.† A vulture is an animal commonly associated with evil and malice. This provokes a similar reaction or opinion of the old man from the narrator, however the reader is still left considering the sanity of the protagonist, and therefore is more reluctant to hold the same opinion as him over the justification of killing the old man. The irrational killing about to happen is used to put the reader on edge, creating intense suspension and a heightened expectation of the approaching events. Clichà ¯Ã‚ ¿Ã‚ ½s provide an interesting platform on which Poe entertains the reader. â€Å"My blood ran cold,† provides a very clear sense of the emotional situation of the protagonist. This allows us to observe the effect that the eye has on the narrator. â€Å"Blood ran cold† suggests fear and apprehension, as this is a very human emotion, the reader has a rare chance to sympathise with the protagonist. This is somewhat ironic as the narrator is very far from the stereotypical hero, and yet the reader is ready to find an appealing quality in the character. In order to interpret the piece properly the reader must pay close attention to both the syntax and the repetition of language, used conjunctively to create a dramatic effect. â€Å"Object there was none, passion there was none† is a primary example. The repetition of â€Å"none† creates a very distinctive rhythm, whilst the double use of five syllable sentence fragments forms a very recognisable syntax. In this case it creates a sense of ruthlessness and suggests that the protagonist will stop at nothing in order to achieve his goal. Repetition of â€Å"closed† in â€Å"closed closed† creates emphasis on the words, displaying to the reader his self affirmation that his actions are good. This is reinforced by the use of â€Å"oh so cunningly† making it clear that (in his opinion) he is very skilled at what he is doing, and consequentially commending his efforts. This is further enhanced by the narrator’s egocentricity. Use of â€Å"I† is extensive throughout, (which is partially natural during a monologue) however, it is used to such an extent that the reader is led to believe that the protagonist is almost obsessed with himself and his own actions, reiterating the previous suggestion of psychological instability. The author has included various forms of irony within the novel. The narrator is seen â€Å"inquiring how he (the old man) had passed the night† – explaining how he asks the old man how his night was even though he already knows, seen as he was there and watching him in his sleep. This involves the reader as they feel as if they are let in on a secret (seen as they know that the narrator was with the man last night) making the reader feel involved as they are aware of a secret of which another character is not – raising tension and expectation. Further use of direct address to the reader, is that narrator suggests to the reader that â€Å"you fancy me mad.† This forces audience intervention, we are expected to assume, or are at least are accused of assumption that the narrator is mad. This means that the audience are forced to participate, further involving the reader within the story. By this statement Poe has grouped the reader with the rest of the characters within the novel, suggesting they are a collective of people who doubt his sanity. This is in fact true as the protagonist is clearly insane. Syntax plays a key role in the way in which this novel is read. It is clearly set, and easily recognisable throughout the text, varying in both tempo and patterning. Definite patterns in language are used; â€Å"I heard all things in the heaven and in the earth. I heard many things in hell.† creating a very obvious rhythm in which the words are read, also further enforcing the very bleak and ruthless appearance to his actions. â€Å"The Tell-Tale Heart,† a horror story of crime and murder, can easily be recognised as a heavily dramatic novel. Poe, In consequence to the timing in which it was written, has created a strongly macabre piece, that in its day was probably very horrific and shocking. The way in which society has adapted to accept more and more gruesome revelations means that this tale may not be so shocking to the modern day reader, but was quite a feat in its time. It is however, still evident that the novel, in particular the opening, contains many devices employed in conjunction with one another to create a sense of drama intention. This is used to great effect, causing the reader to appreciate the dramatics of the novel, whilst becoming deeply involved with the plot.